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William and Lucy Turner Gilbert, 1867 |
W. S. Gilbert wrote many stage works besides the libretti of the operas written in collaboration with Arthur Sullivan. This page aims to provide a complete list of Gilbert's stage works in chronological order. The Gilbert and Sullivan operas have been included to show their place in the chronology of Gilbert's works.
Background Notes | Summary of the Plot | Script or Libretto | MIDI Files | Vocal Score
The Early Years
1863, 1866, 1867, 1868, 1869, 1870
The Gilbert & Sullivan Years
1871, 1872, 1873, 1874, 1875, 1876, 1877, 1878, 1879, 1881,
1882, 1884, 1885, 1887, 1888, 1889, 1891, 1892, 1893, 1894, 1896
The Post G & S Years
1897, 1904, 1909, 1911
- Uncle Baby
- One-act comedietta — Lyceum Theatre (31 October )
- Hush-a-Bye Baby, on the Tree Top or Harlequin Fortunia, King Frog of Frog Island,
and the Magic Toys of Lowther Arcade - Christmas pantomime, by Charles Millward with anonymous contributions by Gilbert — Astley's Theatre (26 December)
- Dulcamara, or The Little Duck and the Great Quack
- Play — a burlesque of Donizetti's L'Elsir d'Amore — St. James's Theatre (29 December )
- Ruy Blas
- Burlesque — unperformed — published in Warne's Christmas Annual
- La Vivandière or True to the Corps
- Extravaganza — a parody of The Daughter of the Regiment — St. James's Hall, Liverpool (15 June)
Script: Word Document [152 KB], PDF File [180KB]
Review of the London Production (New Queen's Theatre, 22nd January 1868).
- Robinson Crusoe or The Injun Bride and the Injured Wife
- Burlesque, written with H. J. Byron, Thomas Hood, H. S. Leigh and Arthur Sketchley — Haymarket Theatre (6 July)
- Allow Me To Explain
- One-act farce — Prince of Wales's Theatre (4 November)
- Highly Improbable
- One-act farce — Royalty Theatre (5 December)
- Harlequin Cock-Robin and Jenny Wren; or, Fortunatus and the Water of Life, the Three Bears, the Three Gifts, the Three Wishes, and the Little Man who Woo'd the Little Maid
- Christmas pantomime — Lyceum Theatre (26 December)
Script: Word Document [124KB], PDF File [232KB]
Review of the Production
- A Colossal Idea
- One-act farce, unperformed, published 1932
Script: Word Document [72KB], PDF File [76KB]
- The Merry Zingara or The Tipsy Gipsy and the Pipsy Wipsy
- Extravaganza — Royalty Theatre (21 March)
Script: Word Document [164KB], PDF File [176KB]
Review of the Production from The Times.
- Robert the Devil or The Nun, the Dun, and the Son of a Gun
- A version of Meyerbeer's opera Robert Le Diable — Gaiety Theatre (21 December)
Link to a web site describing this opera parody.
- No Cards
- One-act musical entertainment, with music by Thomas German-Reed (and Lionel Elliott?) — Royal Gallery of Illustration (29 March)
- The Pretty Druidess or The Mother, the Maid, and the Mistletoe Bough
- Extravaganza — Charing Cross Theatre (19 June)
Script: Word Document [120KB], PDF File [152KB]
Review of the opening night of the Charing Cross Theatre from The Times.
- An Old Score
- Three-act comedy — Gaiety Theatre (26 July) — revived 11 Nov. 1872, at Court Theatre as Quits.
Script supplied by Arthur Robinson [PDF, 3.2Mb]
Review of the production at the Gaiety Theatre from The Times,
- Ages Ago
- One-act musical entertainment, with music by Frederic Clay — Royal Gallery of Illustration (22 November)
- The Princess
- Blank-verse parody of Tennyson's poem in five scenes. — Olympic Theatre (8 January)
- The Gentleman in Black
- Two-act musical play, with music by Frederic Clay — Charing Cross Theatre (26 May)
- Our Island Home
- One-act musical entertainment, with music by Thomas German Reed — Royal Gallery of Illustration (20 June)
Libretto, prepared for the Archive by Andrew Beighton, with missing lyrics added by Andrew Crowther [Word File]
- The Palace of Truth
- Play — a fairy comedy in three acts — Haymarket Theatre (19 November)
- Randall's Thumb
- Comedy — Royal Court Theatre (25 January)
- A Sensation Novel
- Musical entertainment — Royal Gallery of Illustration (30 January)
- Creatures of Impulse
- A Musical Fairy Tale in One Act, with music by Alberto Randegger. — Royal Court Theatre (2 April)
- Great Expectations
- Play — after Dickens — Court Theatre (29 May)
- On Guard
- Comedy (28 October)
- Pygmalion and Galatea
- Comedy — Haymarket Theatre (9 December)
- Les Brigands
- Adaptation of Meillac & Halévy's libretto of Offenbach's operetta. Avenue Theatre, 16 September 1889.
- Thespis
- Christmas Entertainment with music by Sullivan — Gaiety Theatre (26 December)
- A Medical Man
- One-act farce, published in Clement Scott's Drawing-Room Plays (1870), performed St. George's Hall, 24 Oct. 1872.
- Play Script donated to the Archive by Ethan Enoch Hardy. [Word Document (56KB)] [PDF File (104 KB)]
- Happy Arcadia
- Play, with music by Frederic Clay — Royal Gallery of Illustration (28 October)
Play Script donated to the Archive by Tyson Vick: Word Document [110K] PDF File [114K]
- Quits
- New Version of An Old Score — Court Theatre, (11 November)
Review of the production form The Times.
- The Wicked World
- Fairy comedy — Haymarket Theatre (4 January)
- The Happy Land
- Pseudonymous extravaganza — Court Theatre (3 March)
- The Realm of Joy
- One-act farce (written as F. Latour Tomline), freely adapted from Le Roi Candaule by Henri Meilhac and Ludovic Halevy, title changed after a few nights to The Realms of Joy — Royalty Theatre (28 October)
- The Wedding March
- Three-act farce, written as F. Latour Tomline, translated from Un Chapeau du Paille D'Italie by Eugene Labiche — Court Theatre (15 November)
Script (transcribed from Samuel French Edition) [PDF, 125Kb]
Review of the original production from The Times.
Review of a revival in 1878 from The Times
- Charity
- Four act drama — Haymarket Theatre (3 January)
- Ought We to Visit Her?
- Three act drama, adapted from the novel by Mrs. Annie Edwardes — Royalty Theatre (17 January)
Script available from David Trutt's site. [PDF File ( 531KB)]
Review of the production form The Times.
- Committed for Trial
- Two-act farce, translated from Le Réveillon by Henri Meilhac and Ludovic Halevy — Globe Theatre (24 January)
- The Blue-Legged Lady
- One-act farce, no author named, translated from La Dame aux Jambes d'Azur by Eugene Labiche and Marc-Michel — Court Theatre (4 March)
- Topsyturveydom
- One-act extravaganza, with music by Alfred Cellier — Criterion Theatre (21 March)
Libretto, available in Rich Text (opens with most Word Processors), or PDF formats. Submitted to the Archive by Andrew Crowther.
Review of the production form The Times.
- Sweethearts
- Two-act comedy — Prince of Wales's Theatre (7 November)
- Trial by Jury
- "Dramatic Cantata" with music by Sullivan — Royalty Theatre (25 March)
- Tom Cobb or, Fortune's Toy
- Three-act farce — St. James's Theatre (24 April)
- Eyes and No Eyes or, The Art of Seeing
- One-act musical entertainment, with music by German Reed — St. George's Hall (5 July)
- Broken Hearts
- Three-act verse drama — Court Theatre (9 December)
- Princess Toto
- Three-act comic opera with music by Frederic Clay — Nottingham Theatre (24 June)
- Dan'l Druce, Blacksmith
- Three-act drama — Haymarket Theatre (11 September)
- On Bail
- Three-act farce (an adaptation of "Le Réveillon") — Criterion Theatre (3 February)
Script, available as a Word Document [184KB] and PDF File [212KB] thanks to Adam Cuerden and Anthony Porter.
Review of the production form The Times.
- Engaged
- Three-act farcical comedy — Haymarket Theatre (3 October)
- The Sorcerer
- Two-act comic opera, with music by Sullivan — Opèra Comique (17 November)
- (Ali Baba and) The Forty Thieves
- Pantomime-burlesque, written with Robert Reece, F. C. Burnand, and H. J. Byron, — Gaiety Theatre one performance (13 February)
- The Ne'er-Do-Weel
- (rewritten and restaged three weeks later as The Vagabond) — three-act drama — Olympic Theatre (25 February)
- H.M.S. Pinafore
- Two-act comic opera, with music by Sullivan — Opèra Comique (25 May)
- Gretchen
- Four-act verse tragedy — Olympic Theatre (24 March)
- Gilbert considered this play, his version of the Faust legend, and Broken Hearts to be his two best plays.
- Lord Mayor's Day
- Three-act anonymous farce, translated from La Cagnotte by Eugene Labiche. Gilbert translated the first two acts before abandoning the project, and when it was produced his name did not appear — Folly Theatre (1 July)
- The Pirates of Penzance
- Two-act comic opera, with music by Sullivan — Fifth Avenue Theatre, New York (31 December)
- Patience
- Two-act comic opera, with music by Sullivan — Opèra Comique (23 April)
- Foggerty's Fairy
- Three-act fairy comedy — Criterion Theatre (15 December)
- Iolanthe
- Two-act comic opera, with music by Sullivan — Savoy Theatre (25 November)
- Princess Ida
- Three-act comic opera, with music by Sullivan — Savoy Theatre (5 January)
- Comedy and Tragedy
- One-act drama — Lyceum Theatre (26 January)
- The Mikado
- Two-act comic opera, with music by Sullivan — Savoy Theatre (14 March)
- Ruddigore
- Two-act comic opera, with music by Sullivan — Savoy Theatre (22 January)
- The Yeomen of the Guard
- Two-act comic opera, with music by Sullivan — Savoy Theatre (3 October)
- Brantinghame Hall
- Four-act drama (November 29) — St James's Theatre
- The Gondoliers
- Two-act comic opera, with music by Sullivan — Savoy Theatre (7 December)
- Rosencrantz and Guildenstern
- Burlesque in Three Short "Tableaux", (originally published in Fun, December 1884) — Vaudeville Theatre (3 June)
- The Mountebanks
- Two-act comic opera, with music by Alfred Cellier — Lyric Theatre (4 January)
- Haste to the Wedding
- Three-act comic opera, with music by George Grossmith, a musical version of The Wedding March — Criterion Theatre (27 July)
- Utopia, Limited
- Two-act comic opera, with music by Sullivan — Savoy Theatre (7 October)
- His Excellency
- Two-act comic opera, with music by Osmond Carr — Lyric Theatre (27 October)
- The Grand Duke
- Two-act comic opera, with music by Sullivan — Savoy Theatre (7 March)
- The Fortune Hunter
- Three-act drama — Theatre Royal, Birmingham (27 September)
- The Fairy's Dilemma
- Two-act domestic pantomime. — Garrick Theatre (3 May )
- Fallen Fairies or, The Wicked World
- Two-act comic opera, with music by Edward German. A musical version of The Wicked World. — Savoy Theatre (15 December)
- The Hooligan
- One-act drama — Coliseum Theatre (27 February)
- Trying a Dramatist
- One-act sketch. Published in Original Plays, Fourth Series (1911). Performance details not known.